《塑料大棚》：潘多拉星球的全新冒险

     非常做作，人物一点不接地气儿，完全就是为了向政治鼓掌而生造出人物和故事.     对白也非常乏善可陈.     男主角怎么看都一脸猥琐相，跟艺术家有个毛关系.     不过也可能反映出当时人与人哪怕是夫与妻、兄与妹之间也全都是政治和改造关系取代了人性最真淳的亲情与爱.     政治属性过强基本毁了“火凤凰”这个好名字.     帕索里尼最佳，戈达尔拉低整体水平.     宗教的反讽.     二元对立的意识形态.     镜头内彩色，现实中黑白.     一边是影像中虚无的耶稣在受难，一边现实中的小演员遭受饥饿却无人搭理；导演威尔斯大谈复杂的意识形态，另一边演员却承受着肉体之苦.     对小演员来说，最后的死亡才是确认自己存在的方式.     片中大夸费里尼才华横溢.     P.S.本片之后帕索里尼被关了四个月，结果来年就出去执导了马太福音.     世界真奇妙.     

The life of Moonjung, the main character of Greenhouse, is not happy. She suffers from a psychological disorder, her young son is locked up in a juvenile detention center, and since she has no home, she lives in a greenhouse. She sometimes sees a man, but she’s not sure if she really loves him. However, since she is nice and sincere, she works as a caregiver for an elderly coup...